Student Blog Post: Art for the non-major
How art courses at Waynesburg have changed my life (as a non-major).
1. The first time I picked up a paintbrush was my sophomore year at Waynesburg. It was the fall term and as I scoured the thin book of offered courses, I stumbled upon an acrylics class, open to all majors. Aside from some sketching here and there, I had never put much effort in to becoming an artist; all I wanted to draw were horses. I had spent my childhood drawing horses until I nearly mastered them. They ran, jumped and reared on the page, never accompanied by a scene of any sort, just a ghost on a sheet of printer paper. Simply put, I couldn’t draw anything else. It was difficult for me to envision myself painting, but I had heard the professor graded based on progress not talent (friendly to anyone with a true interest in learning) so I joined. In a few short weeks, I found myself consumed in the technique of putting paint to canvas— the smooth, gentle glide of a brush and the act of finishing my own work-of-art. It was after my first painting that I (reluctantly) called myself an artist.
2. That fall semester my sophomore year proved to be a challenge, yet, when my feet found their way to the art room time stopped. I sat at the long table with my easel, pushing my brush against the canvas sheet, and I felt my mind lift from the haze of upcoming exams and papers. I couldn’t get enough of the freedom I felt when I was covered in paint, leaving fingerprints on the things I touched. When I realized just how therapeutic painting had become for me, I decided to order more supplies and bring the studio to my own kitchen. The sink, table and floor quickly became their own masterpieces, dripping with paint to my mother’s disliking, while I worked on my paintings. I allowed my thoughts to drift off to happier places where the world I envisioned was the world I became a part of, not the one I actually lived in.
3. Art, I have found, is not always realistic or the popular definition of beauty, yet as I stand in front of a sculpture or a painting with its odd limbs and colors, suspended in midair, I find myself lost in it amidst a lack of understanding. I wander toward it, staring, hoping I’ll have that “ah ha” moment where it becomes clear what exactly is in front of me. I never do, but the interest remains. I continue to look, hopelessly. Questions fill my mind, pressing me to think outside of my normal worldviews. Picasso, Warhol, Kandinsky, what dreamlike places did you travel while you transposed your thoughts to paper and paint to canvas? I want to know where you’ve been.
4. There are nights when I look at the blue and orange sky shifting to pinks and purples over tree branched mountain tops and I want to scoop them up and spread them over a fresh, white canvas, letting the colors mold into one another as they kiss the corners of the page. I want to mark that image forever in my mind, hang it on the wall or mount it in a gallery for the world to see the things I have seen in that very moment. Sometimes I grab my camera to keep that image tucked away, somewhere, for a second glance, but what I have found, through my art courses, is nothing can quite capture an image the same as an artist’s eye.
5. When I think about the peculiarity in the nature of a piece of art, I think of God and His own designs. What inspires God to mold, cut, mix and scrape his creations into their final forms? With infinite amounts of color, materials and tools, the possibilities are endless, yet he chose to create me. What greater, peculiar, humbling love could a person ever encounter?